Archives for posts with tag: animation

This is the final for an assignment I had to do for university. It was pretty fun but still hard work, much of the animation is very rigid but you get the idea. Just wanted make something funny and a little bit weird. ;)

Music by Alisha Redmond

https://www.youtube.com/watch?v=KrQ2sW0g8fY

This is a rough animatic for a project I am working on at uni at the moment. This is not the finished product however that will be vastly more colourful and much smoother animation. I will also post that when I’m done. Very excited that its coming together though :)  The sound is very basic and not edited too well but the finished animation will have ironed out all that.

The story is basically a girl who loves too eat dirt. However little tiny grass shoots start popping up all over her body, she freaks at first out but continues to eat the dirt. It’s a vicious cycle with many possible interpretations.

Here are some more photos and details from my recent exhibition at Punk Milk Gallery.

 

Still more to come! ;)

On Friday I installed my very first solo exhibition in Frankston, at a gallery called Punk Milk with help from all the wonderful people there. It was super exciting!! but of course stressful too. It is on until Thursday of this week. It was a lot of work for just one week of showing but definitely worth it :) I exhibited a series of framed watercolour illustrations, all my journals from the last 6 months, various sketches, a new zine, two stop motion animation projections and the paper and plushie characters that acted in them. For those who can’t make it here are some photos to ogle, that I took today while gallery sitting.

       

Here is the artists statement that I provided also (and rustled up at the last minute ;)

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Katherine Pigott is a Melbourne-based emerging artist working in the field of animation, drawing and watercolour illustration.

‘A World Defined by Dreams’ is based around ideas of the earth’s natural cycles, the relationship between man and nature and also narrative and fantasy as a form of cathartic process. Its main focus however is on these visions of an otherworldly kind that are somehow so familiar.

These ‘otherworldly’ depictions show isolation, destruction, transformation, fear and longing. Yet they appear hopeful and inspired by the greater powers and potential mysteries of the planet.

Dreams are a starting point for visual association and further ideas and brainstorming. The commanding visuals in dreams can be so impressive on the mind that there is a need to put it on paper or in motion somehow. Drawing acts as an investigation into the understanding of dreams and the further regions of the brain untouched by conscious thinking. Each drawing is like one moment captured in the timeline of thoughts that travel through one’s mind; they are just the beginning of a story that the viewer has to finish in whatever way they choose. And just like in a dream the viewer can end up in the middle of a story or place with no idea how they got there.  Unlike traditional storytelling, these images don’t give so much away, the mystery in a drawing can be the most interesting part. Many of the works also embody and describe the intuitive process of drawing itself and in the case of the two films showing, the way in which the medium of animation has the ability to dictate narrative and process.

While displaying personal sentiments and questions, crises etc, each work describes in some way a universal predicament, a human predicament.

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Thanks for reading, I hope it was somewhat interesting for you. I’ll leave you again (after such a long break) with the newest film I showed, right here.

 

Enjoy!

<p><a href=”http://vimeo.com/41461959″>Critters – Animation by Katherine Pigott</a> from <a href=”http://vimeo.com/user9432799″>Katherine Pigott</a> on <a href=”http://vimeo.com”>Vimeo</a&gt;.</p>

A new animation I have been working on! It is still a working progress, I need to edit it a lot more so it doesn’t look so rough. It is yet to be titled, but something like “critters’ is all I can think of so far. I made all the characters and set and filmed it in my apartment.

Hope you enjoy,

Here is a sneak peek from a part of my new animation that i’ve been working on, this is the ‘studio’ (i.e. my bedroom) where i have been shooting it. But i don’t want to reveal too much of it just yet ;)

katpig

I just created a Vimeo account, so now I have accounts for both YouTube and Vimeo for people to watch my films. Finally I’ve uploaded my latest project Flood Sequence ! So now you have a choice of which one to view, better yet why not check out both! haha

This is the artist statement explaining the project I handed in as part of my major studies:

“My film projects this Honours year, particularly Flood Sequence (1:08 mins, three screen video)  seek to manifest the tension between tangible elements such as science and religion, the human body and its necessities, historical events/scriptures and mythical stories into a visual rhythm. The function of absurdity in the fantasy genre and the metaphoric temperament of natural disaster that parallels science fiction apocalyptic visions are present in the work also. The internal logic of the work derives from the medium itself, from the malleability and temporality of the blackboard as a surface and the chalk I use to draw each frame. This ephemeral aspect coalesced with the fluctuating nature of animation gives way for understanding of the film and it’s medium.

Animation in the field of contemporary art however adds extra dimension to the purpose of animation production. Examples of artists who have been exhibiting these ideas are Tabaimo, Nathalie Djurberg, the collective IC-98 and William Kentridge amongst others. I have also been influenced by writers such as Albert Camus (The Myth of Sisyphus) and Roland Barthes (Mythologies), writings on Japanese cinema and anime, such as Phillip Brophy, film-makers Hayao Miyazaki, Michel Gondry and Guy Maddin.

My practice involves attempts at negating the predictability of a structural narrative and of traditional animation. I am aiming to maintain an agenda that is focused on creating films that are visually and ideologically stimulating with multiple ambiguous narratives. The cycle which is a recurrent theme in the work, is metaphoric for the nature of human life, the eternal cycle but also the morbidity that is the inescapable truth that one day one’s cycle of life will be terminated. This can also evoke the sense of restlessness and pending answers to existential questions. These concepts come together through an intuitive working process but also with the consideration for a visual dynamic.”

katpig

 

The artist/self timer at work. I took these funny photos of me doing my animations yesterday and today if anyone is interested! They must have had a sale on daggy knitwear or something haha. But seriously that is what I wear… In contrast to the title I look very serious, though I don’t mean to, it’s interesting how you can get so ‘in the zone’ when creating.

katpig

Just a print screen of my animation photos, I think it’s cool to see all the guts laid out like this, soon you will see them animated ;)

katpig

This is an image for our Honours yearbook (to be produced independently and is not affliated with the Monash Graduand Show catalogue – both of which I will post photos of later on).  I know this picture is quite small but you get the idea. I feel like I have spent more time drawing storyboards than I have on my actual animation/filming! But that’s the way it goes I guess :) The end of my university years(so far) is nigh…

katpig

This is an ongoing piece I am currently working on. This is the first part as it is a work in progress. I am making a multi-paneled animation, so the drawings are going to wander through three frames alongside each other. The row of houses is a visual from a dream I had but the other events I made up. I’d love to know what people think are the strongest elements!

katpig

 

 

Some things I am working with at the moment, trying to figure out my own stories and symbols to use. Questions, questions, where to go next? why is the transformative element so strong? what resources to use, etc…

 

katpig


Not very good quality photos but you get the idea. I presented my video work from last semester on this monitor in the Fine Art building lobby for the Monash University Open Day a few weeks ago (talk about a plug). The picture came out a bit stretched but it was good to see my work in a different location and set-up. Lately I have just been projecting them back on to a blackboard (but have not taken photos yet!) or watching them on a computer.

katpig

P.S. Happy 101 Post! ;)